Moon between Palms

the moon?

but a keyhole

to another room,

which awaits

our arrival—

whenever.

Echo Park, 2020

Insomnia: A Short Story

The television’s on.

It’s freezing in here.

I should probably be asleep, but I’m not.

It’s 4:53. It’s always 4:53, when, click, the heat turns on.

Now the draft from the window’s competing with the dull heat, which smells like last years dust, pouring through the vent, above the door, which leads to the living room where the TV’s still on.

In about an hour the sun will be up and it will be another morning.

I can’t tell yet whether or not I’ll be excited or scared, but either way, I have to write my grandmother—thanking her for the letter she sent a couple days prior—she used to fill the cards with glitter but doesn’t anymore…

Perhaps there’s a glitter shortage, I don’t know.

I’ve been pulling my beard out again, which I don’t like, but still do. Why? A doctor would probably claim it’s nerves but by this point in life I know better than that.

It’s funny really, thoughts, how they come and go as easily as a hair can be plucked from your chin.

If I had eggs in the fridge I’d probably boil some for breakfast but I don’t have any because yesterday while shopping I’d debated prices in my head for what seemed like too long to be debating prices of eggs, causing an uncomfortable feeling I just couldn’t shake, making me anxious and aware that I’d been standing in the isle for what seemed like eons though was probably only a couple minutes, still, too long to be debating whether or not I wanted to pay 2.39 or 2.99 for a dozen of eggs.

The heat feels good now, while the right side of my face warms up, the left side is still dealing with the draft from the window.

Common sense tells me to close the window though my better judgement says to just let it be. What’s the point, really?

It’s 5:06 now. It’s always 5:06.

The repetitive nature of this statement keeps recurring in my mind as if the idea isn’t fully mine, though I use it anyway.

Perhaps it’s my conscious mind coming back to me? Perhaps it’s programming I just don’t have the strength to deny, either way…whatever.

It’s 8:08 on the East Coast. My mother’s probably pouring coffee, reading the morning news. My brother’s probably already dragged himself from bed and into work. My nephew’s to school. My sister-in-law to her studio where she makes jewelry from metal and her imagination.

Their routine gives me comfort because right now I don’t have one.

This pandemic has us all in a pretty weird state of affairs, though, my affairs have always been pretty weird now that I think about it.

At least I’m writing again. That’s good.

Everything is pretty all right right now—knock on wood.

And what if this is as good as it gets? Hog wash.

At least it’s warm in here, closing the window, watching the sun rise.

My nail beds are long. I’ve always been told that. “You’ve got piano hands,” they said once, go figure, I don’t play—if I did this would probably make for a better story though, well, you know.

Turning off the TV seems irrational as it’ll just get turned on again tonight, unless, unplugging the TV—Ah! That’s better.

Insomnia, it’s the breakfast of champions.

Now, where was I? Oh yes, the letter.

A Song Once Sung To An Infant Under The Gun.

Today the time ran out

just as it had begun—

Hot water fills the tub

you swore you’d never become—

It’s warm and shallow now

cut servings for only one—

The echo down the hall, well

that’s just yesterdays love—

Now it’s all become a song once sung

to an infant under the gun.

Today the moon refused

to trade place with the sun—

Sidewalks full of people

but still you know only one—

It’s an impossible force

that drags you from yourself—

Now it’s all become a song once sung

to an infant under the gun.

I try, you know I do, to balance

fault lines and faith, the surgeons

steel blade, it draws a bridge between both—

It’s a symphony of simple things

that will seem eclipsed by the sun—

Cause it’s all become a song once sung

to an infant under the gun.

California, 2020

Alone, together

Where are we

but forever

Alone, together

in the cosmos

of our love.

Austin’s Iced, 2020

A needle in hay

How can a man

give so much of himself

to the past, and so little

to his future?

The answer

can be found as quickly

as a needle in hay.

It’s a needle

that always draws a little blood.

2011 Wearing glasses? In a diner, probably.

The boy who cried gently to the wolf.

You can sense it you know,

yourself shutting down—again

with the change of scenery, again

with the change of heart.

It’s like trying to stop a freight train

running yourself empty, till

all there is is but to explode.

It’s a very empty place to be living.

It’s a very empty place to be born.

It’s a beautiful fall day, though, isn’t it?

Isn’t it beautiful, this

in depth exhibition of yourself—

without the guts, with all the answers

and nothing all that good say.

Again, another Fall. 2020

whether or not

Every morning

theres’s a woman

pruning bush, or

a bush pruning

woman, whether or not

either is real to me

it’s real to her,

that rose bush

pruned, green grass

now rising wet

in the morning dew

of chimney’s now

smoking, standing

in line at the DMV

with the DUI

unpaid, scratching lotto

old men lifting hats

scratching heads,

wondering like children

where all that hair

goes when it falls out

and if there’ll be

enough water

for the grass, in

the coming July drought,

no matter, still

does the woman prune

as the old me croon—

each mourning.

You just have to live.

Being sober’s

as overrated

as being drunk—

nobody wins.

You just have to live.

The Devil to one is God to another.

The Devil to one

is God to another.

It’s a cycle continued

that is, until

we stop looking to the sky,

stop burying our trauma,

and look our neighbor

dead in the eye,

without retaliation or judgement

and listen, to one another’s heart

which beats to the same rhythm

as a newborn babe

that is, until

birth begins

its earthly decay.

Whatever you decide, do it without the need for validation—we are one.

Whatever you decide, do it without the need for validation.

To seek validity is but a farce. It’s like aiming to make a splash in a rain puddle.

A child learns early on whether they care to admit it or not, that their choice is theirs and theirs alone. Nobody really cares more than it takes them to realize, eventually with age, that nobody really cares.

Sure, a mother cares deeply, but only as far as it interrupts her well being.

A father can break his back many times, but only as many times as it serves his cause.

Progression doesn’t come from an audience. Progression comes from within.

Progression comes from love, awareness, and nurture.

And although social media tells a different story from reality, we seek it, crave it, we often need it, but do we really?

Perhaps the greatest lesson we can learn from posting our day to day lives, morality, and hardships is that we are all equally as alone as we are the same—myself included.

Not too long ago, there was a time, it seemed, the world was much larger than we could ever imagine.

Driving cross country felt then like an achievement whereas now—after doing it more than a dozen times—it feels more like a routine I’d rather not admit.

Mostly it’s this that scares me.

Desensitization. It’s this that makes me wonder.

What’s the point?

The point is to treat yourself with the same dignity you would a stranger—a child.

The point is to look beyond life’s blessings, with eyes wide shut, and understand that all will be regardless of whatever validation you seek.

We can learn this by simply looking at a flower bloom. We can understand this by accepting that although, it may seem, the flower dies, another will take its place, as equally and wholly as beautiful as its former.

So whatever you decide, decide knowing, you aren’t as separate as you feel—we are all one.

Long Island Cottage, 2012