The Crap I Write

I finish the crap I write

over coffee I can’t afford

in the mornings on

my days off from work

and I call it poetry.

Before the ice waters down

my Ethiopian cure

I can usually turn 3 or 4

workable pieces I find alright.

Nothing’s ever perfect and

I don’t strive for perfection anymore.

I just do as I do and that seems

good enough for now, besides

nobody reads poetry anymore unless

you’re dead or one of those Slam poets,

but that’s a pack I’d never run with—

the dead are fine but the Slam, no thank you—

since I’m no actor I haven’t the stomach.

I just know how I feel and put it down

whether or not it kills—HA!

If anybody actually cared what I had to say

I’d still be broke. I’d still be here,

no longer curious but still sincere,

breaking 8 balls and biting glass for reasons

only I can understand.

Walking home I no longer debate, I just

spit laughing blood and repeat,

waiting to be called back and told what to do.

Tongues

I’ve tasted many tongues,

but saved the slammed doors

and holes in sheet rock for

the one’s I’d somehow outgrown,

knowing them sincere like

an afternoon alone or

tastebuds in the morning sun—

after enough drinks to make me social,

after enough drinks to make me honest,

after enough drinks to make me pure—

unwilling to apologize for the bad taste

tongue tied like a little kid hoping

to be lost in the shuffle and left alone,

where features seize to be and

voices make no sound where

nobody feels and nobody hurts.

Southbound towards Tijuana

The way it was and

the way I saw it well

neither really aligned,

which is why I guess

perhaps, I suppose

I’ve made it this far driving

Southbound towards Tijuana

watching my dreams fade

in the rear view mirror

knowing now the utopia I sought

was never bound to be orthodox

or American, or not but

foreign enough to appear genuine,

parked by the halogen glow

of another lone motel, stale air

and stained sheets of a

dystopian relevance

that makes this all seem o.k.

Wrench in the works

It’s funny really

how I’d been thinking

the exact same thing.

And how everything’s different.

And how nothing’s changed.

And how things are fine enough

without throwing a wrench in the works.

Enough.

We go to those we trust

Because even if they hurt us

The least we know’s they care

And knowing that much

Sometimes is enough.

The Other

For every peace I’ve lost

I picked up another

And another, then another

Till I could hardly tell

The difference between

Myself, them—or the other.

The Company We Keep

You might just find yourself

Very much alone and

Without anyone to call so

If you’re unwilling to change then

I just want you to know that

No matter what I’ll be there

Waiting with myself

Waiting for your company

Chandelier

I gave you yours

You gave me mine

The sewer’s innocent

We walked for miles

Time to time

In soles that didn’t fit

Our arms they fell like chandelier

The climax of a play

Then died like Dylan Thomas done

We knew no other way

Sincerely Speaking

Whatever is the point

I’ll be on the edge

Sincerity’s an ashtray

A speech impediment

The View

It’s senseless to sense this

phase from May to June.

These fences stand defenseless

like guards on duty do.

In truth there are no changes

or phases of the moon,

it’s just a formed perspective,

outsiders share the view.