It’s funny really
how I’d been thinking
the exact same thing.
And how everything’s different.
And how nothing’s changed.
And how things are fine enough
without throwing a wrench in the works.
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Rolodex
I’ve got this Rolodex emotion
Whose contacts intertwine
Like a bramble of commotion
When I’ve dropped another line
Then only dust remains
I like listening to the sound
Of beautiful melodies
Ones I haven’t the heart to play
Ones I haven’t the strength to ignore
Mostly those that come in waves
After morning, noon, and night
You can hear them like catching
The glimpse of a shooting star
Barefoot atop San Jacinto
Bend Oregon or Williamsburg highrise
Naked in the ecstasy of flight
Knowing even as your approaching
You’ve already begun to disappear
April 29, 2014 — Brunch In The Village — A Journal Excerpt
While the money drains from my pockets like a busted water main I can’t help but wonder—has our existence really boiled down to name badges and paychecks, fedora’s and chino’s, tax breaks and debt? It’s no wonder the streets are filled with broken bodies.
It’s no wonder the idea of the “weekend” has begun to depress me. This invisible structure, unspoken, yet accepted continues to devour our living, chewing us like cud, and then spitting us out to white sheets where we can’t even reach the bedpan without assistance.
A weekend ago I was eating brunch in The Village, drinking a Bloody Mary, eating eggs Benedict, and writing a letter to a friend when I noticed two men noticing me. They asked if I was a writer—each in their 50’s debating women over Mimosa’s—to which I told them I was just going through the motions of my 20’s. They both smiled, shared a laugh of remembrance, and went back to arguing. If I was smart I’d play the game, perhaps try to sell myself even. One day I thought, but for now, I’m an artist stuck in his artist ways, trying his best not to care that he can’t afford the eggs, the rent, or brunch in The Village for that matter.
for John Fante
Perhaps I’ve said too little,
perhaps I’ve said too much.
Whichever be the case Fante,
perhaps I’ll Ask The Dust.
Our eyes told stories
I’ll always remember that day
And keep it as a reminder—
That day in which you looked my way
And I didn’t have a clue who you were
And you didn’t have a clue who I was
That day in which our eyes told stories—
As to what is most important.
So if and when we lose our way, I know
Together we’ll find ourselves again—
Where eyes can say what words cannot express—
And stories, we, can only tell together.
I’m not talking about Cards
If it works out
It works out
If not, you learn a lesson
You move on to the next
Split hands and
Double down
Chaos Theory
If we can accept ourselves
in life, and that in this life
we’re living, the right way
and the wrong way, mostly
aren’t ever in alignment
with our true nature of self,
rather it’s often
sideways we must go, sideways
like the pebble in the stream
knows only one direction,
and that chaos when reversed
reveals itself as precisely
the way it ought to be.
Communion in the Park
Men in the park
grip brown paper bags
certain as Catholic nuns
grasp their faith,
both counting one
by one, until neither
makes any difference
in the course of eternity.
Two paths, one park bench—
Angelic in their own rite.
Moon between Palms
the moon?
but a keyhole
to another room,
which awaits
our arrival—
whenever.
Words Of An Average White Male 