The Wythe Hotel

Sitting alone in the banquet hall, I can’t help but think, I know this smell.

Antibacterial soap.

Citrus.

And old water that I used to wash away the evening laughter, spilled drinks, and half eaten hors d’oeurves.

From the kitchen comes the smell of New York.

The smell of Maine.

It’s the smell of unserved duck and bison left out for the wait staff to take home.

Here, at the LA Proper, it smells exactly like the Wythe Hotel, in it’s unforgettable daytime gloom.

Where as a porter I’d use a damp cloth to clean the sconces. Blue liquid to clean the high-tops. And a pink substance—no one knew the specifics of—to mop the weathered floors.

Where as a porter I learned to bite my tongue, leave my pride at the door, and accept the minimum wage for minimum effort.

Ah, what sights there are to see in Brooklyn, and be there no better way than to see them than for 600 dollars a night!

Ah, what local fare there is to taste off the butchers block in Maine—Rosemont Market— where I too learned that minimum effort guaranteed minimum results—pairing cheese with port. I sold ribeye no Mainer could afford.

Where as a deli clerk I trained under a butcher who dreamed of owning his own knife shop and who secretly loathed his private affairs.

What lies between the swinging of an open/closed door, but a thousand emotions, a thousand dreams, and a thousand questions—we choose not to solve.

Yet here, in the banquet hall, I’m sure I know this smell.

And it serves as a vast reminder—that time is fragile, and outlook is imperative.

To know exactly what I’m doing, and why I’m doing it.

To take the bad with the good, and know nothing is permanent.

What Could Possibly Matter More Than Meaning What You Don’t Have The Answers For?

What’s the point in asking the question

If your voice is already defeated

I’d go blind just trying to see it

You know everyone is trying to beat it—

If there’s pain then that means there’s a reason

If there’s truth then it’s hard to believe in

Still it’s hard not to relive this feeling

Where everyone everyone’s stealing—

It’s like selling your grief for a grievance

Why the hell would you even break even

Doing all we could to deceive them

It’s all wasted time wasting time healing—

It’s like playing pretend dressed in your skin

Or saying the pledge of allegiance

When there’s no one to please or believe in

It only matters as much as you mean it

Unanswerable Questions

The tourists stop, and stare.

“Mommy is this why we’re here?”

“Yes,” says mommy kindly,

“this my dear is why we’re here.”

Then, they calmly walk away.

Selfies of Ourselves

Perhaps we take photographs

and selfies of ourselves

in the event that someone might care,

in the event that someone we haven’t spoken to

in a long, long while, might see us there,

and just for a second consider the thought:

that everything’s quite alright.

Or, perhaps we do these things

in order to remind ourselves we’re alright,

even when we’re anything but.

Selfies Of Ourselves, March 2021

An Observation—early 2021

People would do anything to be different.

Anything to stand out.

People would do anything not to fit the norm—

that after a while they all became the same.

To understand one’s suffering

To understand one’s suffering

Is to understand our own,

Knowing causes pain—

But still with hope we try

To understand one’s suffering

Is to be on their side, regardless

Of the awful many cuts

Through the tenderness of night—

Their aim is (not) to heal

But still with hope we lie,

To understand one’s suffering(…)

Like fruit picked from a vine.

What is, and is not necessary—a dialogue.

Whatever’s in my head, is there because I put it there.

It’s there because I allow it to be.

Whatever’s in yours, is yours—I’ve no idea, nor should.

If you’re curious, you may ask and I may tell you whatever’s in my head.

I may not, though that is up to me, as it is equally up to you.

So if and when I seem distant, it’s only because I’m having an internal debate on which to share.

I’m deliberately choosing words which may or may not have an impact on your own definition of me—of you.

Whatever’s in my head may change, in fact, depending on your point of view, so tread however you will when speaking, knowing that—

Whatever’s in your head, is there because we put it there.

And we being a positive or a negative really doesn’t matter.

What matters is, matter of factly null and void, more likely because,

whatever’s in your head, is there because you put it there.

It’s there because it is, if it wasn’t then, well, we wouldn’t be having this discussion with ourselves to begin with.

See. When two people interact or share in a discussion, it’s not simply a yes or no dialogue.

It’s not simply an A and B conversation but rather an (A,(B)) + (C,(D)) process of beliefs which often can be tricky or seem unfair.

And the more you think about it, the less there is to say, because, more times than not it’s what we don’t say that often really matters.

Perhaps I haven’t found the correct words, or perhaps I’m overthinking, perhaps I’m just learning how to communicate all together on a daily.

It’s like casting a line of bate to water. If the intended fish decides to bite, then it’s fair game, but when the intended fish is forced to bite, which for lack of a better metaphor, one can’t exactly force a fish to bite, then there’s an unfair advantage.

The bate is not merely physical bate, but encompasses the mind from which it’s cast with hope, fear, and determination—etc and so on.

The fish may rationalize it’s right to choose feast or famine, ultimately accepting it’s fate regardless of the line cast, by choice of internal and external response, which leads me back to my original point being…

Whatever’s in my head, is there because I put it there.

It’s there because I’ve reserved a rationality for it, and, regardless of the outcome, it’s necessary solely to me.

Further more, what’s necessary to me—perhaps the real point here—is not, nor should be expected to be necessary to you.

Any questions?

The hardest lesson

Probably the hardest lesson

to learn is that, in life

you can do everything right,

and still get it wrong.

Lost In Thought, Summer 2011

Golden

Tree lined
suburban, shadowed
street signs
stand aloof
in the quiet morning
daylight gloom
of happy homes
opened doors
and kisses. Questions
fall like flower petals
on sidewalks, cracked
by ancient roots
whose planted hands
can only tell
the difference between
early mornings
and daylights answers.
But the sky is new,
and the desert
Golden, only as old
as the moon which hangs
still as the sun
does rise over broken
glass bottles, which dress
Winnetka, asphalt
like a torn evening gown
come morning.

Healing

Like a child sent to his room

I’m stuck staring, blindly

thinking about what I’ve done.

Because I’m still healing, I mean

it’s really no excuse except to acknowledge how

I’m just like everyone…